For three weeks I will be working on a film, mixing the Foley and a few other things too (tbc). It's a very touching and thoughtful film, and I will probably write more about it once it's finished. In the meantime, here are some pictures from the setup Pierre van Caloen (the Foley artist) and I have been working with.
Sometimes I have to pinch myself. Am I really working in a professional audio post-production studio, working on feature films and television programmes that people are actually going to see? Am I really working alongside colleagues who have 10 and 20 years experience, and are willing to share their knowledge and explain things to me? I have to pinch myself, because this isn’t reality. Except, of course, that it is. It’s beyond a dream in many ways. And that’s why I rarely complain. I mean, I will never complain too much because some people never even get a shot at doing what they most want to do.